Painting_Seven Deadly Sins

For my Seven Deadly Sins series, I used watercolor and color pencil to

create a consistent medium and texture. I chose Glen Martin Taylor’s

ceramic works as reference because his repaired and imperfect teacups

visually connect to the destructive nature of each sin. The yellow

background and blue shadows help build an unsettling, slightly decayed

atmosphere. I used light blue and white for the porcelain surface to

contrast with the dark, broken additions, emphasizing both fragility and

tension. Each piece focuses on how small imperfections can visually

represent excess, distortion, and emotional pressure.